My images of London are illusions. In this episode, hear about why we left, how we left, our last two London adventures, and the toll London took on Craig’s mental health.
Hear about Shona’s da’s story; learn about the highland clearances, the 10-pound poms, and how people fashion intimate connections and meaning in countries far from their place of birth; and travel through 400 years of UK Departures and Arrivals. (Two years ago today, the UK locked down.)
Dear Migration Museum,
Hope you’re well.
Just a note to let you know that I loved volunteering with you and it was really important to me. I know it might sound a little strange, saying that, given I wasn’t there too long, but you’re just such a brilliant place. (I know I don’t have to tell you that.)
When I first visited you as a punter, it hadn’t struck me before that I was a migrant. I’d grown up with so much UK media (mostly BBC productions on the ABC), and even now, the UK is presented as ‘the same’ as Australia; that we both understand each other’s cultures perfectly. Again, I don’t have to tell you this, but that’s not true. The difficulty in navigating London is that it’s all so similar, but there’s a tilt that makes everything awkward, more confusing and difficult, and it’s just askew enough to discombobulate me without my being able to put my finger on anything specific. Shona and I both knew going in we were travelling to the belly of the Colonial Beast, but I didn’t realise how ingrained that thinking is; how colonialism is celebrated in so many contexts without any reflection; and how the idea of ‘born-to-rule’ permeates. (But of course, you give us the other perspectives and stories.)
When I first approached you about volunteering I was suffering anxiety. I’d never had this before, and was having anxiety attacks — I didn’t know what was going on. I ended up working with a counsellor. Covid in London broke me. At the time the MM was perfect. So open and generous and caring.
Could you please let everyone I worked with know I really valued meeting them and enjoyed my time there. One regret is that I didn’t get to be part of the MM for longer and get to know each of you better.
Take care and stay safe.
London’s Migration Museum, LewishamRachelle RomeoWe Are Lewisham (Borough of Culture, 2022)
Music & SFX
Opening & Closing Credits by Unregistered Master BuilderSFX and extra music from Epidemic SoundTouching Moments by Ketsa (Free Music Archive)
Mental Health Resources
How to Access Mental Health Services (NHS site)Mental Health AustraliaOnly Human Radio Show
A fete in a cemetery, a tiny underground mail train, and a museum in a shopping centre. Come and celebrate everything that’s NOT the British Museum.
Nunhead Cemetery Open Day
Bug hunts, whittling workshops, crypt tours, a petting zoo, ice cream — a ‘typical’ open day. It’s spring and there’s still a chill to the air, but after months of lockdown we’re enjoying being outside. Before arriving if you’d asked me who’d be at the open day I’d have said three history buffs and a dog — but the place is bustling with hundreds of people: market stalls, a community choir, a ‘murder of goths’ (about 30, I’d say). The cemetery is being re-wilded, and as the forest reclaims the place, the wildlife has returned — mostly birds and squirrels, but on one walk we took here in the depths of the winter lockdown, on an overcast day with snow all around, we saw foxes darting between the gravestones and trees. Today, though, there are too many people for foxes. We finish at a pop-up cafe near the Scottish Martyrs monument, with tea and scones and jam. My nan used to make scones like that. The five Martyrs campaigned for parliamentary reform, and for their troubles were transported to Australia in 1794.
Mail Rail (Postal Museum)
Tunnels running east–west under London carrying narrow gauge driverless trains and delivering millions of letters a day. What more could you want? Royal Mail began as the personal mail service of one of the English kings. Some time later, if you could afford it, you could send letters where the recipient paid for them on arrival. When the Penny Black stamp was invented, the first adhesive stamp, postage was democratised and became accessible to anyone. By the 1920s millions of letters were being delivered to Londoners every day. The mail rail opened in 1927 to counter London’s congested streets and the ensuing delays. In the 1930s the GPO established a film unit. ‘Night Mail’ is its most famous production (Written by W.H. Auden). On our visit to the Museum we watched the surrealist jaunt ‘Love on the Wing’ (1939) by Norman McLaren. In theory it was an ad for the postal service, but the images plugged straight into my brain and I have no idea what it was about.
London’s Migration Museum (MM)
Popping into Sainsbury’s to grab some toilet paper? Why not stop at the Migration Museum? It’s Saturday morning and we bus it to Lewisham shopping centre. We sit up front of the top level of the double decker bus (for only two pounds you get a comprehensive view of the city, and every trip is like a mini tour). Founded about 20 years ago, and without a permanent home at the time, the MM was initially a series of collaborative exhibitions and events travelling all over the UK, including London, Oxford, Leicester and Edinburgh. From 2017 to 2019, it was based in Lambeth, then it moved to Lewisham. The bus delivers us to Hight Street’s bustle: market stalls selling fresh fish, fruit and vegetables, clothes, fabrics, and street food from Africa, Asia and the Caribbean. Nearby are Polish and Italian delis, Turkish and South Indian restaurants, and my favourite fish and chip shop in London: ‘Something Fishy’. The décor is straight out of the 1970s, and alongside an array of different fish (and chips) they serve pie and mash, and jellied eel. Before we head into the centre, Lewisham’s hustle calms me, makes me feel at ease with London on those days I feel anxious. It’s a human scale that feels about right; the perfect place for the Migration Museum.
A series of hard-hitting tidbits about London life, including an insight into the cultural icon that is Henry Hoover.
In this episode we turn our attention to those everyday sounds we often overlook: the creaks, the squeaks, the buzzes and the pops that we build our daily soundtracks around without necessarily noticing.
Whenever travelling in a new place it’s easy for our attention to be hijacked by the grandiose: the British Museum, Tower of London, Big Ben, Buckingham Palace, Tower Bridge. End to end, our flat is a modest 32 footsteps. At first, when we paused to listen closer, all we heard were random, almost opaque, individual noises, but as we refocussed our attention — maybe as we plodded into lockdown, maybe as we fell into restlessness and insomnia, maybe as the world we knew ground to a stop — patterns of composition, harmony and story took shape. And it was the familiarity of these stories that comforted me, despite having never listened to them before. I found a grounded counterpoint in an emerging world that isn’t mine (or yours, for that matter — it is too much to say here it’s now the virus’s). For me, lockdown is like sleepwalking though a restless Dream-Wake hybrid world punctuated by fatigue, insomnia and curious dreams that, dull at their edges and obtuse and fractured, create No Time. And I’m not alone, lockdown has spawned a world-wide epidemic of weird, mysterious and self-contradictory dreams.
In this soundscape, we explore, and in part decipher, the mental and physical landscapes of London during lockdown. Through the intricacies and half-spaces of a recurring dream about leaving a house — any house, my house, your house — we attempt to uncover the overlooked stories of our homes.
Thanks Opening & Closing Credits by Unregistered Master Builder Background music, Markus J Buehler Viral Counterpoint of the Coronavirus Spike Protein (2019-nCoV)Justin Mullins for SFXBBC SFX ArchivesLondon Improvisers Orchestra (LIO Bandcamp page) Facebook:@londonimprovisersorchestraSound Design at Greenwich blog Facebook:@SoundGreenwich
ArticlesCoronavirus has created an epidemic of weird dreamsWhy is Ryanair taking to the skies when there’s nowhere to fly?Transition Events (excerpt from my novel set in a hybrid Sleep–Wake world where nothing is as it seems)
Contact Facebook: @CraigsAudioWorks Twitter & Instagram: @LDNbylockdownAvailable linktr.ee/LondonbyLockdown
In this series we discover what it takes to fall in love with a new city during a pandemic.